倘若梳理长篇武侠小说中“女侠”形象的源流,自不免从侠女十三妹(《儿女英雄传》,清朝文康所著)讲起。初登场时,她携一身江湖豪侠气,路见不平拔刀相助,是超然的拯救者;到终章处,却变得温良贤淑,成为男人坐享“齐人之福”的理想对象。十三妹人物形象的前后断裂,最终转化为两个 If combing the origins of the image of “Woman” in the novels of the long martial arts, I can not help but talk about the 13th Sister Woman (“Heroes of the Children”, written by the Literary and Cultural Ministry in the Qing Dynasty). At the beginning of the debut, she carried a man of courage and political power, and she was a detached savior. At the end of the chapter, she became gentle and virtuous and became the ideal object for men to enjoy “blessed happiness”. Thirteen sister figure before and after the break, eventually converted into two