展览挑选的30多位八零后艺术家及团体作品正在讨论网络实践如何能影响这些较为传统的创作媒材。显然,为避免展览过于局限在“后网络”这个近些年来已被大量讨论的话语的框架,策展人有意借用“网络”这个词在法语中的多重语义以突显人和人的合作共事关系:它既可以是网状物的形象表示,又曾在八十年代中指涉一种隐秘的非法联系,如今则常在管理类的著作中用于指涉人际间的相互联系。借用社会学者 More than 30 of the 80’s selected artists and group works selected by the exhibition are discussing how online practice can influence these more traditional creative media. Clearly, in order to avoid the exhibition being overly framed by the discourse that has been heavily discussed in recent years, curators have the intention of borrowing the multiple semantics of the word “network” in French to highlight both human and human : It can be both a web-like representation and a covert, illegal connection in the 1980s, and is often used today in management writings to refer to interpersonal relationships. Borrow sociologists