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第一乐章:深沉的前奏,不无阻滞地倾吐出来,开始了漫长的叙述……在芗剧音调演变的固定音型背景上,具有南音韵味的主题凸现出来,冷峻而又亲近……第二乐章:在长笛中低音区所模仿的洞萧吹奏南音韵律的音调中,一个沉思的灵魂在漫步……第三乐章:半音音调流露出无解的疑问,三拍子赋格段却又激情滚滚,感慨万千.大量增减和弦,十一和弦和过渡性叠置和弦以及泛调式大小和弦似是无理的更迭等汹涌出大段高潮……,最后,在木管吹奏的背景上,低音提琴吟哦着玄奥的哲理——热情的悲剧性?悲
The first movement: a deep prelude, without delay, pour out, began a long narrative ... ... In the tonal tone evolution of the fixed tone background, with the theme of the South sound charm highlights, solemn and close ... ... Two movements: a hole in the middle of the flute bass imitation hole play the rhythm of the southern tone of the rhythm, a meditative soul wandering ...... The third movement: half-tone tone reveals no doubt, three-beat Fugue paragraph but passionate billow, Filled with chords, a large number of chords, eleven chords and transitional superimposed chords and pan-chords size chords like unreasonable changes such as surging out of a large climax ... ... Finally, in the woodwind playing background, bass Yin Yin Oh Metaphysical philosophy - passionate tragedy?