穆旦的《春》写于1942年2月,这首正值诗人青年时期的诗作避开了一般诗人青春期的情感泛滥,冷静节制地书写关于生命的直觉与感悟。诗中用了大量隐晦含混的意象及悖论矛盾的语言,不仅描写了春意盎然的春日景象,更写出了年轻生命的丰满与焦灼。本文尝试运用新批评的细读法则,分析诗中语言的张力和游戏,审视生命萌发之初的丰韵饱满与爱欲交织的沉郁苦闷。 Mu Dan’s “Spring” was written in February 1942. This poet’s poem in his youth erased the adolescent sentiments of ordinary poets and calmly and unconsciously wrote about the intuition and perception of life. The poem uses a large number of vague and ambiguous images and paradoxical contradictions of the language, not only describes the spring scene of spring, but also wrote the fullness and anxiety of young life. This article tries to use the new criticism of the law of fine reading, analyze the tension of the language in the poem and the game, and examine the gloomy and depressing intertwined with fullness of rhyme and love at the beginning of life.