论文部分内容阅读
首先,从研究中国传统绘画用线的艺术特征来进行分析线的形态及关系,通过运用线条的长短、粗细、刚柔、强弱、轻重、顿挫、方圆等变化,恰到好处的表现物象。其次,对传统绘画及工笔人物画中线的特征、用线规律之间的联系进行研究,线的应用和组织不是客观的模仿和照抄,而是一种提炼和取舍,更多的是通过内心与视觉进行艺术化处理,表现心中的意象。在继承传统工笔人物画技法的同时,将传统工笔人物画的精神发展、延伸,如更多的吸收民间的艺术形式和技法,并融合吸收西方的艺术精华。
First of all, we analyze the shape and relationship of lines by studying the artistic features of Chinese traditional lines of painting. By using the change of length, thickness, rigidity, strength, severity, frustration and radius of lines, the image is just as good as possible. Secondly, to study the characteristics of the traditional painting and the brushwork figure’s middle line and the relationship between the line rules, the application and organization of the line is not an objective imitation and copying, but a refinement and selection, more through the inner and the inner Visual art processing, the performance of the image of the heart. While inheriting the traditional meticulous figure painting techniques, the spirit of the traditional meticulous figure painting develops and extends. For example, it absorbs more folk art forms and techniques and integrates and absorbs the western art essence.