中国现代山水画的构成是不是需要一种新的语言?还是需要一种新的形象符号?这在当今艺术界应该是一个比较紧迫、需要解决的问题。我们需要重新认识中国山水画的构成传统,从笔墨线条之中去分析和继承本土性的语言,然后再结合今天的文化精神进行解读和发展完善,使之最终形成一套完整的、系统的笔墨形式和创作模式。在这个发展、完善的过程中,我们不仅要对古代中国画的基本理念进行传承与创造、借鉴和舍弃,更需要对西方文艺理论进行甄别和 Does not the composition of modern Chinese landscape painting require a new language? Or is it necessary to have a new image symbol? This is an urgent problem to be solved in today’s art world. We need to re-understand the traditional composition of Chinese landscape painting, to analyze and inherit the native language from the lines of brushwork and ink, and then to interpret and perfect the combination of today’s cultural spirit so as to finally form a complete and systematic form of ink and brush And creative mode. In this process of development and perfection, we not only need to inherit and create, draw on and discard the basic concepts of ancient Chinese painting, but also need to screen the theory of Western literature and art and