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中国现代诗学的发生几乎是与新诗同步的。从“五四”时期,以胡适提倡“白话新诗”为发端,经过三、四十年代的发展,现代诗学一直呈现出截然不同于古代诗学的特征和内涵。现代性作为一个时间上和哲学思想上的概念渗入其中。现代诗学在发展过程中,以西方诗学的诱导为契机和借鉴资源,在自身酝酿已久的土壤中曲折地成长。它以自身的现代化和西方诗学的影响为生存背景,并在自己的积淀中不断诠释着中国自己的现代性特色。
The occurrence of modern Chinese poetry is almost synchronous with the new poetry. From “May 4th” period to Hu Shi advocated “vernacular new poetry ” as the starting point, after the development of the 1940s and 1940s, modern poetics has been shown completely different from the characteristics and connotation of ancient poetics. Modernity permeates into it as a concept of time and philosophy. In the course of its development, modern poetics takes the induction of western poetics as an opportunity and uses resources for reference, and grows twists and turns in its long-awaited soil. With its own modernization and the influence of western poetics as its living background, it continuously interprets China’s own modernity characteristics in its own accumulation.