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如果说安德烈·塔尔科夫斯基终其一生努力将电影拉到同其他古典艺术同样的地位和高度的话,那么阿巴斯·基亚罗斯塔米则是将电影拉到如同生活一样的平易。在他的影像里,我们分不清电影和生活的界限。
If Andrey Tarkovsky strives to bring the film to the same level and height as other classical art throughout his life, Abbas Kiarosta-tat would have dragged the movie to life Ping Yi. In his video, we can not tell the boundaries between movies and life.