周敦颐理学著作及诗词包含有大量的环境美学思想,他的环境美学思想基于环境认识论,落实到环境实践论。通过梳理周敦颐《太极图说》《通书》及其诗词杂文发现,其环境认识论主要体现为环境的“育生”功能观及生态和谐观,环境实践论的内容主要表现为环境的审美乐趣与审美境界。周敦颐对环境的审美认识紧密结合着审美实践,可以说是理学的环境审美观的代表,某种意义上,也是中国古代环境美学思想的集大成者。 Zhou Dunyi’s Neo-Confucianism and poetry contain a great deal of environmental aesthetics, his environmental aesthetics is based on the epistemology of environment and is put into practice on the environment. Through combing Zhou’s “Taiji Diagram”, “Tongshu” and his poems and essays, he found that his epistemology of environment mainly embodies the concept of “rejuvenation” of the environment and the concept of ecological harmony. The content of environmental practice mainly shows as follows: Aesthetic realm. Zhou Dunyi’s aesthetic understanding of the environment closely combined with the aesthetic practice can be said to represent the aesthetic environment of Neo-Confucianism. In a sense, it is also the master of environmental aesthetics in ancient China.