论文部分内容阅读
虚实关系是中国艺术中种种对立统一关系之最根本、最集中的综合体现。我们既可以从中国传统哲学中寻到它的渊源,也可以从几千年的大量艺术创作中觅其应用。从艺术活动的客观对象世界到艺术主体的精神世界,从艺术创造到文本状态,从艺术接受到审美风貌,都贯穿着虚实论的原则。了解虚实相生的思想渊源及其美学本质,将有助于我们更好地欣赏古今中外的各类艺术作品。
The relationship between the true and the false is the most fundamental and concentrated manifestation of the unity of opposites in Chinese art. We can find its origins from the Chinese traditional philosophy, and we can find its application from a large number of thousands of years of artistic creation. From the objective world of artistic activities to the spiritual world of the main body of art, from the artistic creation to the textual state, and from the artistic acceptance of the aesthetic style, the principle of the theory of the real and the virtual runs through it. Understanding the origin and the aesthetic nature of the reality of the difference between reality and reality will help us better appreciate all kinds of works of art at any time and in all countries.