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格律柯在《雅债》中说:“文征明那些具有社交目的并依情况而作的作品在他死后迅速转化为商品,这样原本因人情义务并应不同场合而生的书画产物,遂变成自外于创作情景的事物,仅被简单挂上‘文征明所作’的标签。”~([1])可见作品创作前的情景动机和作品产生后的欣赏流传所处截然不同的两个语境,这往往被人忽略,然而这种情况同样发生在文征明之后的董其昌身上。考察董其昌的书画作品会发现临仿是一标志性特征,其作品中存在大量的临仿如《仿唐人书一册》、《临钟王帖一卷》、《仿黄公望山水一卷》、《仿米元章潇湘白云图》,不
Ge Luke in the “debt” said: “Wen Zhengming those who have a social purpose and work according to the situation after his death quickly transformed into commodities, so originally due to human obligations and should be born on different occasions painting products, then Become the things beyond the creative scene, simply by hanging on the ’Wen Zhengming’ label. ”~ ([1]) shows the scene before the creation of the motive and enjoy the work after the spread of the circulation is very different Two contexts, which are often overlooked, however, have also occurred in Dong Qichang after Wen Zhengming. The study of Dong Qichang’s paintings and calligraphies will find that imitation is a symbolic feature. There are a large number of imitations in his works, such as “Copy a Book of Tang Dynasty,” “Book of Kings, a Volume,” “ ”Imitation of rice Xiaoyun Baiyun map", no