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叶燮《原诗》中的“情”一方面主要是指事物的情状或情态而非情感,另一方面在行文中的某些地方又同时使用“情感”之义;一方面将“情”排除出诗歌创作的主体性条件中,一方面又承认诗歌的抒情性特质,因此受到现代研究者概念含糊以及理论体系不够完备的批评。但是从现象学视角看来,叶燮对“情”的独特使用方式是因为《原诗》超越古代诗学中情理相对、情景相分的素朴二元论思维,而现代文学理论中隐含的抒情性艺术本体论和主客二元论的思维方式却使研究者在阐释过程中恰恰遮蔽了《原诗》的这种倾向。现象学的“意向性”理论和“生活世界”理论提供了以超越二元论的方式重新阐释“情”以及《原诗》中的诗歌创作论和诗歌审美本质的新思路。
On the one hand, the “love” in Ye Xie’s “original poem” mainly refers to the situation or modality of things rather than emotions; on the other hand, the “emotion” is also used in some places in the prose at the same time; on the one hand Excluding “love” from the subjective conditions of poetry creation, on the one hand, it acknowledges the lyrical qualities of poetry and is therefore criticized by modern researchers for vague concepts and inadequate theoretical systems. However, from the perspective of phenomenology, Ye Xie’s unique use of “love ” is because the “original poem” surpasses the naive dualistic thinking of the relativistic and episodic phases in ancient poetics. However, the implicit The lyric sexual art ontology and the dualistic thinking of subject and object make the researchers just obscure this tendency of “original poem” in the process of interpretation. Phenomenological “Intentionality ” theory and “Lifeworld ” theory provide a new way to reinterpret “Love ” in the way of transcendence dualism and poetic creation theory and poetic aesthetic nature in “original poem”.