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司马辽太郎极力颂扬明治之向上,垂叹昭和之黑暗,人为创制出完全异质性的两个时代的幻象。本文以他所逃避和疏离的诺门罕战争为研究视角,指出他对这场战争的知识性态度和对现实主义表象的过分执拗,而将战争的缘起退而次之,使其历史叙述和创作倾向呈现出消解历史记忆的暴力。大众媒体时代的语境下,司马辽太郎的大众文学创作和历史叙述超越了文学场域,参与到了国民共同体层面上的历史认知之建构中。
Shiba Taro strongly praised the Meiji up, weighed down the darkness of Showa, artificially create completely illusion of the two ages. Based on the study of the Nomonhan war which he escaped and alienated, this article points out his knowledge attitude toward the war and the excessive resentment on the appearance of realism, and takes the second place of the origin of the war to make his historical narration and creation The tendency is to show the violence that dispels the historical memory. In the context of the mass media era, Sima Liao Taro’s popular literary creation and historical narrative transcend the field of literature and participate in the construction of historical cognition at the level of the National Community.