记得贾科梅蒂曾说过:“人为什么要画、要雕塑呢?那是出于一种驾驭事物的需要,而唯有经由了解,才能驾驭。”在我的艺术素材积累中,关注的视角大多是我所熟悉的周围。我生长在中国的南方,南国的家乡赋予我灵性和自由,悠久的人文历史滋养我平和的心境。长久以来,我一直在人物对象的表达上寻觅一种能和我的艺术语言相契合的素材,能完整地传达人物内心真实的力量感,我一直在思索,这种真实的力量感从何而来?这样一种思考的冲动像暗涌潮汐一般久久激荡在我的脑海……直到有一天,我与“惠安女”邂逅,使我难以按捺的冲动终于得到了成全。美丽、静谧的渔港,成群结队忙碌、勤劳的身影;温暖、湿润的海风是最体恤女 I remember Giacometti once said: “Why do people want to draw, to sculpture? It is out of a need to control things, and only through understanding, to control.” In my art material accumulation, Most of the perspectives I focus on are familiar to me. I grew up in the south of China, the homeland of the Southland gave me spirituality and freedom, long history of humanity nourished my peace of mind. For a long time, I have been looking for a material that can fit my artistic language in the expression of the person object, and can fully convey the real sense of strength in the heart of a person. I have been thinking about where this true sense of strength To come to such a kind of impulsive thinking like the dark tidal wave tidal wave in my mind a long time ... ... Until one day, I and “Hui An women ” Encounter, so I can not restrain the impulse has finally been fulfilled. Beautiful, quiet fishing port, crowds of busy, hard-working figure; warm, moist sea breeze is the most compassionate woman