论文部分内容阅读
一位姑娘坐在一条船上,突然来临的风暴将船打翻,姑娘顿时处于惊喜之中。返回陆地后,她简直崇拜风暴了,以至在工作室的四壁挂满了表现风暴的作品。1977年,伊萨贝尔(Isabelle Champion—Metadier)开始尝试在方形画面中安排色彩。她把画面空间划分为精细加工的各个部分。不久,她在不怕水湿的画纸上做了没有罗盘的海上航行,大块的油彩成正方形、圆形、三角形、斜线、曲线和各种几何图形进行着一场又一场的混战,圆形总是被三角形切出画面。每张画都不再以边线为界,而由两个尖形物为标志,就象一只惊弓之鸟张开翅膀显现在一堆猎物中。
A girl sitting in a boat, a sudden storm tipped the boat, the girl suddenly in surprise. After returning to the land, she almost worshiped the storm, so that the walls of the studio covered with works of performance storm. In 1977, Isabelle Champion-Metadier began trying to arrange colors in a square picture. She divides the picture space into various parts of the finishing. Soon after she made a compass sea voyage on paper without fear of water and wet, a large piece of oil painting became a melee, round, triangle, slash, curve and various geometric shapes after another melee, The circle is always cut out by the triangle picture. Each painting is no longer bounded by borders, but marked by two sharp objects, like a frightened bird showing its wings in a pile of prey.