20世纪中国女性文学对爱情主题的态度及其发展趋向颇值得玩味,从中我们不难看出女性作家通过爱情主题所传导的深刻社会内涵及其心理矛盾。可以看到,自“五·四”至20世纪末中国女性文学爱情主题呈现出奇异的发展曲线,反映出女性文学对爱情之追求与幻灭,对其分析可揭示这种现象的社会、心理成因,从而指明女性文学在爱情描述方面对女性社会角色定位的历史地位及其缺失。 In the 20th century, the attitude and development trend of Chinese women’s literature on love theme is rather pondering, from which we can easily see the profound social connotation and psychological contradictions that female writers convey through the theme of love. It can be seen that the theme of love in Chinese women’s literature from the May Fourth Incident to the end of the 20th century presented a curious development curve, which reflected the pursuit and disillusionment of love in the women’s literature. The social and psychological analysis of this phenomenon This paper points out the historical position and the absence of female literature in defining the social roles of women in the description of love.