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北宋诗僧惠洪对待自然、艺术与自我的观念,深受王安石、苏轼、黄庭坚诸公的影响,但更突出宗教的一维。其《石门文字禅》表现出他对风景、绘画、诗歌、禅学关系的独特认识,如欲念与审美的冲突,宗教幻觉下的变形,观照自然的人文眼光,以及山林江湖“个中人”的身份认同。由此,在自然观照中进行艺术审美,在艺术审美中建构宗教境界,在宗教境界中实现自我定位。惠洪关于风景诗画的观照与书写,成为宋诗写作传统和宋人艺术观念史上的重要一环。
The poet Hui Hong treated the concept of nature, art and self, being deeply influenced by Wang Anshi, Su Shi and Huang Ting-kien, but more prominent one-dimensional in religion. His “Shimen Zen” shows his unique understanding of the relationship between landscape, painting, poetry and Zen, such as the conflict between the desire and the aesthetic, the deformation under the religious illusion, the humanistic view of nature, and the “ ”Identity. As a result, aesthetic appreciation of art is carried out in nature, religious realm is constructed in aesthetic appreciation of art, and self-localization is realized in religious realm. Hui Hong’s contemplation and writing on landscape poetry and painting have become an important part in the history of Song poetry writing and the artistic conception of Song people.