中国传统绘画理论自觉于魏晋时期,直到明清,其基本的理论内核即是形神关系,以形传神。而西方绘画则偏于写实性地再现对象,往往表达重于构思,技法展示遮蔽了画家的精神表达,要透过层层物象才能体味画家深藏的内心世界。 Chinese traditional painting theory is conscious of the Wei and Jin Dynasties, until the Ming and Qing Dynasties, the basic theoretical core that is the relationship between God and God, in order to shape transmission of God. However, Western paintings tend to reproduce objects in a realistic manner, often expressing more emphasis on ideas and techniques than masking the artist’s expression of spirit. It is imperative to understand the deep inner world of painters through layers of objects.