论文部分内容阅读
从魏晋开始,书法成为反映人们智慧、风骨、精神的艺术,书法由被动的表现欲转向主动的表现欲,从而神、韵、气、骨成为书法的精神祈向,象为意所取代。观物取象模式被打破,文人将个体审美精神放大化,解放了思维方式,突破了在魏晋之前的上古三代,书法所负载的沉重的教化意识与政教因素的束缚。在中国书法史上,魏晋书法,成为人本主义书法史的真正开端,重塑了书法艺术形态的发展方向。
From the Wei and Jin Dynasties, calligraphy became an art that reflects people’s wisdom, strength and spirit. Calligraphy turns from a passive performance to an active expression, so that God, rhyme, gas and bone become the calligraphic spiritual prayers. The mode of taking pictures of objects was broken, and the literati magnified the individual aesthetic spirit and liberated the way of thinking, breaking the shackles of the heavy educational awareness and the religious and religious factors that were imposed on the ancient and the modern generations before the Wei and Jin Dynasties. In the history of Chinese calligraphy, calligraphy in the Wei and Jin Dynasties became the real beginning of the history of humanistic calligraphy and reshaped the development direction of calligraphy and art forms.