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龚贤作为明末清初最具影响力的画家之一,其艺术实践为中国画注入了新鲜的血液。龚贤山水画的成熟期呈现出一种“黑、厚、润、实”的风格特征,即积墨法。如果将“黑、厚、润、实”的绘画风格视为一个静态的结果,那么塑造这种风格的就是一个动态的过程,龚贤的山水画主要以山石、树丛及依生于山石的苔藓为主要表现对象,云雾烟岚、茅屋舟桥,以鲜明的艺术语言和美轮美奂的艺术形式美感给人以前所未有的视觉体验,其带领我们进入一个如梦如幻,厚重典雅的艺术空间。给我们以遐想,畅游,无尽的思考与享受。
Gong Xian was one of the most influential painters in the late Ming and early Qing dynasty. His artistic practice infused fresh blood into Chinese painting. The maturity of Gong Xian landscape shows a “black, thick, moist, real,” the style features, namely, plotting method. If the painting style of “black, thick, moist, solid” is regarded as a static result, the style of this kind of painting is a dynamic process. Gong Xian’s landscape painting is mainly based on rocks, trees and rocks Moss as the main object of performance, the cloud of smoke and lantern, thatched cottage bridge, with a distinctive art language and beautiful beauty of the art form gives an unprecedented visual experience, which led us into a dreamy, thick and elegant art space . Give us reverie, take a dip, endless thinking and enjoyment.