当代的京剧艺术显然风光不在,革新势在必行。作为京剧的“角儿”们,除了感叹时运不济之外,还应做些什么呢?中国京剧院一级演员袁慧琴有着自己的独立见解,并且锲而不舍地追寻着。她的理想是做一名学者型的演员,这是因为“戏曲需要发展,传统戏是前辈艺术家们留下的精华;新编戏是 Contemporary art of opera is obviously not the scenery, innovation is imperative. As Beijing Opera’s ”Corners“, in addition to sigh luck, what should be done? China Peking Opera actor Yuan Huiqin has its own independent opinion, and perseverance to pursue. Her ideal is to become a scholar-type actor, because ”drama needs to be developed, the traditional drama is the essence of the older artists left behind; the new drama is