我们的文学创作领域,一直缺少以即将成年和刚刚成年的青春男女读者为对象的作品创作,除了成人文学,就是针对低龄少儿的儿童文学;这使得已走出儿童阶段的为数众多的青年学生读者,基本没有适合他们需要与口味的作品。“80后”的悄然崛起与长足兴盛,正是弥补了这样一个余缺,适应了这样一个需要。但仅仅依靠“80后”自己的作品,并不能真正满足正在成长着的学生读者多方面的需要;他们还需要有实力的作家尤其是文学名家切合他们的生活与思想实际,去写作更有分量和更具厚度的作品,而在这一方面,目前几乎还是一个空白。 In our field of literary creation, there has been a lack of works for young male and female readers who are about to reach adulthood and have just grown up. Apart from adult literature, it is children’s literature for young children; this has led to a large number of young student readers who have left the stage of children. There are basically no works that suit their needs and tastes. The quiet rise and prosperous growth of “80s after the ” is to make up for such a deficiency and to adapt to such a need. However, relying solely on “80s after ” own works does not really meet the needs of the growing student readers; they also need powerful writers, especially literary masters, to suit their lives and ideas and to write more. There are weighty and thicker works, and in this respect, there is almost a blank.