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中国古代佛教雕塑自它诞生之日起,就与佛教在中国的流行传播、兴衰、衍变有着息息相关的血肉亲缘,深深地打上了“佛”的烙印,这是因为历史所赋予它的宣扬佛学的社会功用性而决定的。众所周知,佛教雕塑在南北朝、隋唐时期盛极一时,这一时期出现了几处著名佛雕:北魏建造的云岗西部五大窟与龙门三窟、唐代摩崖造像的代表作——河南洛阳龙门石窟的奉先寺大佛及四川乐山凌云寺大佛等,在艺术的格局上都不同程度地继承了汉画像石的传统技法,
Ancient Chinese Buddhist sculpture since its birth date, and Buddhism in China, the spread, rise and fall, evolution has a close relationship with the flesh and blood, deeply marked “Buddha” mark, it is because the history of Buddhism The social function of the decision. As we all know, Buddhist sculptures flourished during the Northern and Southern Dynasties and the Sui and Tang dynasties. During this period, several famous Buddhist statues appeared: the Five Great Divan Temples in the Northern Wei Dynasty and the Three Divisions of the Dragon Gate and the Cliff Statues in the Tang Dynasty - the Longmen Grottoes in Luoyang, Henan Fengxian Temple Buddha and Leshan Lingyun Temple Buddha, etc., in the pattern of art are to varying degrees inherited the traditional techniques of stone Han statues,