检视当代书坛,兼容碑、帖两美的杰出书家不少,但能对碑学、碑书有所开拓,赋于时代气息的,数来数去,仅俊秀先生一人而已。 近读先生碑、帖评语、札记,于此感慨甚多,现仅就先生揭示碑书美学特征的文字,摘录数则,以飨同好。 《瘗鹤铭》(天津古籍书店1988年5月版)评语: 古人以情意命笔,今人随碑帖动笔。 古人一笔一画,都是从心灵中流露出来。后人只从安排、结构上寻求字势,便不及古人之气态。 大小共处,字距疏密,非所能及,一任自然。一挑一捺,笔笔钩连,如问答。 字距远近,斜正,方折,圆转,如一家人,有大有小,共居,和睦欢乐。 写出:状貌,性格,灵魂,动态,气象,脾性生命。 “胎” 字结构,若遇唐人,必责以不匀称,左下右高,然其自然之致,后人不及也。 先生认为,《瘗鹤铭》的结字、用笔与章法处处显示出人的精神,“如问答”,“如一家人”;“一笔一画,都是从心灵中流露出来”,这正是碑书不同于唐以后书的一个美学特征。 先生指出,唐以前人作书崇尚自然、自由,不受“法”的拘束,“以情意命笔”,因而充分体现出书者的“脾性生命”。这与唐人作书多为 View contemporary calligraphy, compatible with the monument, the United States posts a lot of outstanding book writers, but to Bentley, Book of inscriptions have opened up, given the flavor of the times, the number of numbers to go, only Mr. Junxi only one. Nearly read Mr. monument, posts comments, notes, in this feeling a lot, now only to disclose the text of the monument Aesthetic characteristics of the text, the number of excerpts, with the same. “瘗 crane Ming” (Tianjin ancient books and bookstore in May 1988 version) Comment: the ancients intended to express their feelings, today with the rubbings. The ancients one by one painting, are revealed from the heart. Descendants only from the arrangement, the structure to seek potential, less than the ancients of the gas. Coexistence of the size, kerning, can not do anything, naturally. Pick one with a Na, pen pen hook, such as question and answer. Words from the near, oblique, square, round, such as family, there are big and small, living together, harmony and joy. Write: appearance, personality, soul, dynamics, weather, temperament life. “Tire” word structure, in case of Chinese, the blame is not symmetrical, left lower right, but its natural result, posterity less than also. According to the gentleman, the knot character of “Zao Heming” shows his human spirit everywhere with his pen and the chapter of law, such as “questioning and answering” and “being like a family”; “one stroke and one painting are all revealed from the heart” It is an aesthetic feature of the tablet that differs from the book after the Tang Dynasty. He pointed out that before the Tang dynasty, people regarded books as natural, free and unfettered by the “law,” and “writing works with emotion” fully reflected the “temperament life” of the book writers. This is mostly written with the Chinese