当奉节的赵贵林在那即将没入江底的老城里踅摸老旧的窗棂、斑驳的墙砖时,他也许只是单纯地想着留下一段历史,接续一段文脉。就像万州的方本良,执意要用自己的镜头,换一种方式把历史文化留存。这是两位值得尊重的老人。在那些已经老去的物化的历史里,隐藏的不仅仅是一段岁月,也并非如歌的日子里仅属于某座城、某个物质地理坐标上的印记。 When Feng Gui-lin’s Zhao Guilin touched the old windows, mottled walls and brick walls in the old town that was going to disappear into the river, he might simply think of leaving a period of history for a period of time. Like Wanliang Fang Benliang insisted on using his own lens, for a way to preserve the history and culture. This is the two respectable elderly. In those old-fashioned history of materialization, it is not only the passage of time but also the imprint of the physical geography of a certain city that belongs to a certain city.