从古代绘画发展史来看,经过魏晋画家的努力,流畅完整的线条加上合理的敷色,已构成了固定的程式,绘画观念殆需有所突破。“凹凸画法”的传入,使得中国画家对体积、空间和立体感有了更新的认识,并做出尝试。本文试从文献记载中的“凹凸花”着手,探讨“凹凸画法”的表现程式,以及对中国古代绘画语言产生的影响。 From the history of the development of ancient paintings, through the efforts of the Wei and Jin artists, the smooth and complete lines with a reasonable color dressing have formed a fixed program and the concept of painting has to be broken. The introduction of “concave and convex painting” made Chinese painters have a new understanding of volume, space and three-dimensionality and make attempts. This article attempts to start from the “Bump Flower” in the literature to discuss the expression of “Bump Painting” and its influence on ancient Chinese painting language.