绘画风格学研究方法传入中国半个多世纪,但此方法在国内却并无系统的应用案例。对于绘画的风格界定,传统史学多以背景文化来解释而忽略了“技艺”本身发生、发展的逻辑性因素。中国传统绘画画面元素主要体现在独具特性的造型法则、形式风格、线型轨迹及观察方式上。因此,以这种舶来研究方法运用于中国画时,不妨做得更加纯粹、具体一些,拨开包裹在“风格”之外的诸多影响因素,单纯的对绘画画面本体元素进行系统的原理研究。 Painting style research methods introduced to China for more than half a century, but this method has no systematic application in the country. For the definition of painting style, the traditional history mostly interprets the background culture and neglects the logical factors of the occurrence and development of “artistry” itself. Traditional Chinese painting screen elements are mainly reflected in the unique characteristics of the rules of the form, style, linear trajectory and observation methods. Therefore, when using this method to apply Chinese painting to China, we may as well try to make it more pure and specific. By systematically studying the ontological elements of paintings on the elements of the ontology, .