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本文借鉴文化研究理论家约翰.费斯克的“生产者式文本”这一概念,考察女性主义通俗小说的文本特征、写作策略和微观政治意义。女性主义通俗小说通过对传统通俗小说的挪用和戏仿,传播女性主义思想,具有灵活、开放的文本特征。与先锋文本所拥有的特殊文本力量和陌生化效果形成对照,女性主义通俗小说以大众“生产者式文本”的姿态,鼓励并激发读者在已经掌握的传统话语技能基础上进行“生产者式”阅读,在阅读过程中提高辨识力和创造力,从而产生积极的微观政治意义。
This article draws on the concept of “producer-style text” by cultural researcher John Fiske to examine the textual features, writing strategies and micro-political significance of feminist popular novels. The feminist popular novels spread the feminism thoughts through diversion and parody of the traditional popular novels, with the features of flexible and open texts. In contrast to the special text power and defamiliarization effect of avant-garde texts, the feminist popular novel encourages and stimulates the reader to produce “based on the traditional discourse skills already mastered” by the mass “producer-style text” Type "reading, raising awareness and creativity during reading, resulting in positive micro-political significance.