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以黔东南苗族手工艺为例,苗族的蜡染、刺绣、剪纸,直接表现手工艺人的心灵手巧,寄托对生活的美好期冀,而当代艺术回归自然的整体趋势催生着民间美学的再次觉醒。本文通过对苗族手工艺的原始性与碎片化的分析与总结,论证民间美学给予当代艺术的一点借鉴和启发。
Taking Miao ethnic handicrafts in Southeast Guizhou as an example, the batik, embroidery and paper-cutting of the Miao people directly represent the dexterity of handicraftsmen and pin their hopes of a better life. However, the overall trend of contemporary art returning to nature has given birth to the awakening of folk aesthetics. This article analyzes and summarizes the primitiveness and fragmentation of Miao handicrafts, and demonstrates that Folk Aesthetics can give some inspiration and enlightenment to contemporary art.