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20世纪二三十年代是中国戏曲作为一种舞台艺术对外传播与交流的自觉期和高潮期。在这一时期,除了海外华侨圈中演出的继续(如20年代初期京剧演员唐景云、唐韵笙父子和高百岁、李多奎、高庆奎、周信芳等人在海参崴的公演;东南沿海剧种在海外尤其是东南亚的演出,唐人街常年的粤剧演出等),梅兰芳、韩世昌、熊式一、绿牡丹等人,不仅将戏曲带出国门,而且带出了华侨圈外,在国际范围内产生了较大影响,构成了此时期最广为人知的戏曲海外推介的演出大事件。不过,
The twenties and thirties of the twentieth century is the period and climax of the Chinese opera as a stage art of external communication and exchange. During this period, in addition to the overseas Chinese circle performance continued (such as the early 20’s Beijing opera actor Tang Jingyun, Tang Rensheng father and son of a hundred years old, Li Dukui, Gao Qingkui, Zhou Xinfang and others in Vladivostok performance; southeast coastal drama overseas, especially in Southeast Asia ), Mei Lanfang, Han Shichang, Xiong Shi Yi and Green Peony not only bring drama to the outside world, but also bring out the overseas Chinese circle, which has had a great impact in the international community , Constitute the most well-known drama in this period introduced overseas performances of major events. but,