进入90年代以来的中国诗歌在精神取向与艺术追求上都呈现出了内在一致性与整体性,因而我所说的今日诗坛,亦即90年代的中国诗坛。90年代的诗歌无疑是新时期以来尤其是80年代诗歌的延续和发展,但在诸多方面又与80年代的诗歌殊异。众所周知,新时期作为传统浪漫主义的最后一位诗人食指在满怀热忱地高呼“相信未来”之后不久,开启新的追求的诗歌时代的第一位诗人北岛则接过中国诗人理想的火炬,在历史性的苦难之中最后觉醒,对世 Since entering the 90’s, Chinese poetry has shown its internal consistency and integrity in its spiritual orientation and artistic pursuit. Therefore, what I call today’s poetic circles, that is, the Chinese poetry circles of the 90’s. The poetry of the 90’s is undoubtedly the continuation and development of poetry since the new era, especially in the 1980s, but in many respects is different from the poetry of the 1980s. It is well known that the first poet in the era of the new pursuit of new poetry, shortly after earnestly shouting “Believe in the Future,” as the last poet index finger of traditional romanticism in the new era, took the ideal of Chinese poets The torch, the last awakening in the historic suffering, the world