“嗦……唻……啦……咪……”小提琴教室里学生们的琴声把我带回到儿时学艺的回忆中。1970年“文革”中期,人们在停课停产闹革命,文攻武卫大串连的混乱社会里也渴望精神慰藉。但当时文艺界被当成“封资修”的大染缸,优秀剧目当成大毒草,艺术家被打成牛鬼蛇神,剧团被改名,所有剧种只能演八个样板戏来满足人们的精神需求。由于学校停课,人才匮乏,当时在全国所有的省、地、市、县级剧团公开招收各种类“革命文艺接班人”。就这样,经层层挑选、考试(唱歌、听音模唱、打节奏、看手型等),上小学的我进入到湖北 “Winded ...... 唻 ...... 啦 ...... Mi ... ...” violin classroom students piano sounds took me back to my childhood memories. In 1970, during the mid-term of the “Cultural Revolution”, people also long for spiritual comfort in the chaotic society of stopping production and stopping production and attacking the military. But at that time the literary and art circles were regarded as “sealed capital repair” big dye vats, excellent repertoire as a poisonous weed, the artist was labeled as the monster zombie, the theater company was renamed, all opera can only play eight model opera to meet people’s spiritual needs. Due to the suspension of classes in schools, there was a shortage of qualified personnel. Various types of “revolutionary literary successors” were openly entertained by all provincial, prefectural, municipal and county troupes throughout the country. In this way, the layers of selection, examinations (singing, listening mode singing, playing rhythm, hand type, etc.), I went to primary school in Hubei