当代书法评价标准是一个热门话题,学者们各抒己见,很难达成一定的共识。但并不妨碍我们去研究这一非常重要的时代课题。本人在参与中国文联部级课题“当代书法评价体系研究”的过程中认识到当代书法标准必须从书法传统标准中来,换句话说,如果离开了书法传统标准,当代书法标准就成了无源之水,无本之木。大体说来,书法传统标准有以下几点:一、笔法、墨法和结体用笔是中国书法的核心要素之一,赵孟頫说:“书法以用笔为上,而结字亦须用工。盖结字因时相传,用笔千古不易。”中国古代有一套丰富的笔法系统,中锋为主,侧锋为辅 Contemporary calligraphy evaluation standard is a hot topic, scholars express their opinions, it is difficult to reach a consensus. But it does not prevent us from studying this very important issue of the times. In the course of participating in the China Literature and Art Department-level research topic, “Contemporary Research on Calligraphy Evaluation System”, I realized that contemporary calligraphy standards must come from the traditional calligraphy standards. In other words, if the traditional calligraphy standards are left, the contemporary calligraphy standards become Passive water, no wood. In general, the traditional standards of calligraphy have the following points: First, calligraphy, calligraphy and knot Use pen is one of the core elements of Chinese calligraphy, Zhao Mengfu said: “Calligraphy to the pen, and knot also need to work Covering the word because of the passage of time, the pen is not easy from ancient times. ”Ancient China has a rich writing system, center-based, supplemented by the side