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赏读余光中的《日不落家》（以下简称《日》）与王鼎钧的《故事里套着故事——假设越多,意外越少》（以下简称《故》）两篇风格迥异的散文,领受到的是截然不同的文学意境。前者的真情流露与后者的冷峻反思;前者的诗性话语与后者的哲理言辞;前者行文的自然承接与后者思绪的返溯弥深,使人明显感受到余光中的诗人性情与王鼎钧的哲人气质之异。而二者对于人性的至真至诚的追求却是相同的,海德格尔曾将艺术的本质归结于“真”,正是这种对艺术之真的共同追求成就了两篇风格迥异的上乘之作。
Read two articles of different genres from Yu Guangzhong’s “Do not Fall in Home” (hereinafter referred to as “Day”) and Wang Dingjun’s “Story with Stories - Assuming More and Less Accidents” (hereinafter referred to as “So”), Received is a completely different literary mood. The former reveals the truth and the latter’s solemn reflection; the former’s poetic discourse and the latter’s philosophical rhetoric; the former’s natural acceptance of the latter and the retrospective deepening of the latter’s thoughts make people obviously feel the poet’s nature in Yu Guangzhong and Wang Dingjun’s Different philosophers temperament. And the two are the same pursuit of genuine sincerity to human nature. Heidegger attributed the essence of art to “truth”. It is this kind of common pursuit of art that has achieved two superiorities of different styles Make.