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《胭脂记》带有早期南戏特征,据考证根源出自元代南戏《王月英月下留鞋》。文本体现了男女主角对平凡爱情的向往,体现了家人对共享天伦之乐的自由生活的向往。不像一般才子佳人剧斗争激烈、口号响亮,但具有长远的生命力和鉴赏力,带有某些现代理念,有着超脱世俗的意境。本文欲从作品的叙事手法入手,将之与其他的才子佳人戏进行一比较,以期发现才子佳人剧的基本模式及其创新之处。
“Rouge mind” with early South opera features, according to research sources from the Yuan Dynasty South play “Wang Yueying stay under the shoes.” Text reflects the male and female longing for ordinary love, reflects the family’s desire to share the happiness of family life. Unlike the average genius and beauty drama fighting fierce, slogan loud, but with long-term vitality and appreciation, with some modern concepts, has the transcendental mood. This article attempts to start with the narrative techniques of works and compare them with other genius and beauty operas in order to find out the basic mode and innovations of the play of genius and beauty.