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人物油画作品中轮廓线的处理方式各不相同,对于不同轮廓线的处理在于艺术家个性化语言表达的需要,也是一个成熟画家艺术风格的显著特征。不同的处理方式表现出艺术家对形象的不同认识。我们知道西方的绘画精神重理性,这也是西方文明区别与其他文明的显著特征。西方人对线的研究侧重于外部表征,注重线的存在感,在绘画中轮廓线与结构线的微妙构成关系,经历了从直接单纯的再现到表现的过程。不同时期甚至同一时期的画家对边缘线的处理方式根据个人的追求也是有所不同的。边缘线通俗的称法又叫轮廓线,现就以人物画为例简略的谈谈我对油画人物画边缘线的认识。
The contour lines are treated differently in the oil painting works. The treatment of different contour lines is the need of individualized language expression of the artist, and is also a remarkable feature of a mature artist’s artistic style. Different ways of handling show the artist’s different understanding of the image. We know the spiritual rationality of Western painting, which is also a distinguishing feature of the difference between Western civilizations and other civilizations. Westerners focus on the line of external characterization, pay attention to the sense of presence of the line, the contour lines in the painting and the delicate composition of the relationship between the structure line, has gone through from a straightforward reproduction to the performance of the process. Painters in different periods and even in the same period deal with the fringe lines differently depending on their individual pursuits. Also known as the marginal line of the so-called outline, now take the figure painting as an example of a brief talk about my understanding of the edge lines of oil painting figures.