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“春秋笔法”是《春秋》学的重要内容,建国之后,随着新的学术视角的介入,“春秋笔法”研究在继承传统经学研究的基础上,对《春秋》笔法有无、《春秋》义例和文化成因等方面作出了新的探讨,同时越出经学研究视野,在春秋笔法对史学、文学的影响研究,以及跨学科及综合研究方面作出了重要开拓和创新,呈现出多样化的研究态势。目前,“春秋笔法”研究在理论构建和关联研究等方面还亟待进一步的深化和拓展。
After the founding of the People’s Republic of China, with the involvement of the new academic perspective, the “Spring and Autumn Calligraphy ” study inherits the study of traditional Confucian classics and analyzes whether there is “Spring and Autumn” strokes , “Spring and Autumn” and Cultural Causes, and at the same time, it has made important exploration and innovation in the research field of Spring and Autumn Period on the influence of history and literature as well as interdisciplinary and comprehensive research A variety of research trends. At present, the study of “Spring and Autumn Styles” still needs to be further deepened and expanded in theoretical construction and related research.