论文部分内容阅读
艺术作品的思想性与艺术性的关系、艺术与政治的关系等问题,是艺术理论家长期争论的问题,早在20世纪30年代就争论得十分激烈。胡秋原当时是追求进步的知识青年,但由于世界观的局限,他鼓吹为艺术而艺术,幻想有脱离阶级、脱离政治的文艺自由。反对文艺为当时的政治斗争服务。他说:“将艺术堕落到一种政治的留声机,那是艺术的叛徒。”这观点受到鲁迅等左翼作家的批评。而瞿秋白则从这一批判走向另一极端,竟然说:“文艺永
The ideological and artistic relationship between art works and the relationship between art and politics is a long-standing issue of controversy among the art theorists. As early as the 1930s, the argument was fierce. At that time, Hu Qiuyuan was an intellectual youth who pursued progress. However, due to the limitations of the world outlook, he advocated art for the sake of art and fantasy of freedom of the art from the class and politics. Opposition to literature and art to serve the current political struggle. He said: “Fallen art to a political gramophone is an art traitor.” This view was criticized by leftist writers such as Lu Xun. Qu Qiubai from this critique to the other extreme, actually said: "literary Wing