在中国绘画史上,曾出现过三次山水画创作高潮。第一次发生在五代宋初,以“三家山水”为代表的全景山水,大开大阖,气势恢宏,将画家对山川造化的真切感受和内心冲动, 诉诸境界美的全面开拓,令后世至今难以逾越。第二次发生在元代,以“元四家”为代表的文人山水,上承前人注重丘壑描绘之传统,下开后世 In the history of Chinese painting, there have been three climaxes of landscape painting. The first occurred in the Five Dynasties and the Song Dynasty, with the “three landscapes” as the representative of the panoramic landscape, opening large and small, magnificent, the artist’s true feelings and inner impulses of mountains and rivers, resorting to the full opening of the United States, so that afterlife Insurmountable The second occurred in the Yuan Dynasty, with the literati landscape represented by “Yuan-4”, bearing in mind the tradition of depicting the hills and valleys,