在我国恢弘悠久的民族文化中,民间艺术占有重要的位置,它是原始艺术的延续,直接继承了原始艺术实用与审美共存的性质。它在发展过程中以“通俗性”、“大众性”、“民族性”等特点,成为现代艺术家创作的灵感源泉。近来在西方艺术思潮的冲击下,我国的艺术创作出现了大量从民间艺术中汲取创作元素的现象。这不禁让我们想起,八、九十年代美术创作中对民间艺术资源的起用现象。 In our long-established national culture, folk art occupies an important position. It is a continuation of primitive art and directly inherits the nature of the practical and aesthetic coexistence of primitive art. In the course of its development, it has become the source of inspiration for the creation of modern artists with the characteristics of “popularity”, “popularity” and “nationality”. Recently, under the impact of Western art trends, a large number of phenomena of drawing creative elements from folk art have appeared in the art creation in our country. This can not help but remind us of the phenomenon of the use of folk art resources in art creation in the 1980s and 1990s.