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本文的研究思路是基于故事情节来探究叙事者个体意识发展对于作品主旨的影响。此处的文本叙事者是指余华笔下全文的线索性人物杨飞。杨飞在死后的七天里,不断经历种种前后有关联的事件,慢慢解开他的迷茫甚至是得到了一个类似于上帝的洞察与见识[1],足以表明他个体意识的成熟化趋势。杨飞对生、死的游离与死的安息三个空间的不断深入的思考向我们解释主旨:在这个世界上只有用可悲的想象创造力假设幸福,这源于荒诞现实造成的悲哀。接下来我
The research idea of this article is to explore the influence of the development of the narrator’s individual consciousness on the subject of the story based on the storyline. The textual narrator here refers to Yang Fei, a clueless character in the full text of Yu Hua’s pen. In the seven days after his death, Yang Fei constantly experienced all kinds of inter-related events and slowly unleashed his confusion and even got a similar insight and insight similar to God [1], enough to show the maturation tendency of his individual consciousness . The in-depth thinking of Yang Fei’s three dimensions of free and dying rest in life and death explains to us the point: in this world, happiness can only be derived from absurd reality through the use of sad imagination and creativity. Next me