小红帽总是柔弱的,鲁迅总是尖刻的,网络文学总是娱乐的,山西文学总是写“山药蛋”的,我们习惯了这样的解读,且并不觉得有什么不对。如果不是本期的几篇文章,我想我会继续“习惯”下去。本期主笔《关于纪实性写作的对话》,首先打破了大家对于山西文学的习惯性印象。山西文学除了小说、诗歌,在纪实性写作方面的成就,这些年来有目共睹。山西作家的纪实性写作,力求揭示真相,对抗“习惯”。它们无一不是发现了某些既定事实的漏洞,以求从多个 Little Red Riding Hood is always weak, Lu Xun always sharp, online literature is always entertaining, Shanxi literature always write “yam egg”, we are used to such an interpretation, and do not think there is anything wrong. If it is not a few articles of this issue, I think I will continue “habit ” go on. In this issue, “The Dialogue on Documentary Writing” firstly breaks the habitual impression of the Shanxi literature. In addition to fiction, poetry, and achievements in documentary writing, Shanxi literature has become evident for years to come. Shanxi writer’s documentary writing, trying to reveal the truth, confrontation “habit ”. They are all loopholes in discovering certain established facts in order to be more than one