前不久,郑小瑛从工作了16年的“厦门爱乐乐团”退了下来,原因并不是年龄和身体因素,那是为什么?“文革”十年,郑小瑛从没有想过放弃音乐。她一方面从中国古典戏曲中吸收养分,一方面从未放松过对自己的要求。这使得“文革”结束之后,她能迅速返回舞台,重执指挥棒。1978年,她与老同志们一起,从废墟上重建起中央歌剧院,并担任首席指挥一职。此时的郑小瑛已年过半百,但她“急社会之所急,尽自己之所能”。她常在歌剧开演前做20分钟歌剧知识讲座,她也常到各个学校去普及交响乐歌剧知识,她想补回失去的 Not long ago, Zheng Xiaoying from the work of 16 years “Xiamen Philharmonic Orchestra ” back down, the reason is not age and physical factors, that is why? “Cultural Revolution ” ten years, Zheng Xiaoying never thought of giving up music. On the one hand, she absorbed nutrients from classical Chinese operas and never relaxed her own demands. This makes “Cultural Revolution ” after the end, she can quickly return to the stage, re-enforcing the baton. In 1978, together with her old comrades, she rebuilt the Central Opera House from the rubble and acted as chief conductor. Zheng Xiaoying at this time has been over half a year, but she “urgent needs of the community, to do their best”. She often gave a 20-minute lecture on opera before the opening of the opera. She often went to schools to popularize the symphony and opera knowledge. She wanted to make up for the lost