音乐的任何简单和复杂的表现方式都离不开一个“核心”———旋律。而过去我们对旋律的产生、发展和创作问题研究是不够的 ,既便是研究 ,往往也停留在技术性的静态研究上 ,实际上并没有抓住研究旋律的主要问题。对于旋律 ,应该多深入到社会、不同的地域和民族去研究她是如何产生、发展、流传或失传的 ,要研究她过去是个什么情形 ,将来是个什么走向等。也就是少一些静态研究 ,多做一些动态研究。 Any simple and complicated way of expressing music is inseparable from a “core” --- melody. In the past, we did not have enough research on the production, development and creation of melody. Even if it is research, it often stays in technical static research, and in fact it does not grasp the main problems of studying melody. For the melody, we should go deep into the society, different regions and ethnic groups to study how she developed, developed, spread or lost their passions. She wanted to study what her past was and what she would do in the future. That is, less static research and more dynamic research.