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怀素草书的文化精神，没有人研究过，从历史的角度探讨怀素草书的文化精神之源很有必要。一是从怀素籍贯姓氏说起，把吴兴钱氏同佛教的关系作为怀素书法的第一源泉，又从六朝以来东南一带尚书风气盛行的客观事实出发，认为这种尚书乡风是怀素书法文化精神的又一源泉；佛教与书风盛行，是僧人书法形成和发展的文化前提和基础，而怀素的文化之根就是扎在僧人书法极盛的吴兴，吴兴僧人书法盛行是怀素书法文化精神的第三源泉。
The cultural spirit of Huai Cursive Scriptures, no one studied, from a historical perspective Huai Su Cursory’s cultural spirit is necessary. First, starting from the surname of Huai Suk, Wu Hsien’s relationship with Buddhism is regarded as the first source of Huai Sui calligraphy. In the light of the objective fact that the prevailing Shang style in the southeast of the Six Dynasties is prevailing, Another source of calligraphy and the spirit of culture; Buddhism and popular book style is the cultural prerequisite and foundation for the formation and development of monks calligraphy, and Huai Su’s root of culture is tied in monk calligraphy flourishing Wuxing, Wu Xing monks calligraphy prevails The Third Source of Calligraphy Cultural Spirit.