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(上接第386期)“欧风汉骨,东学西渐”朱:您曾提出“欧风汉骨,东学西渐”的艺术思想,并把西方风格的绘画精神融入中国山水画中,形成了自己独特的艺术风格及个人面貌。您还更大胆地提出“世界美术思潮东移”论,如此提法的根据是什么?王:“世界美术思潮东移”论,是我在对日本及西方艺术作了若干年考察和认识之后提出的。从19世纪起,东移就已初露端倪。1867年,日本浮世绘打入法
(On the first 386) “European style Chinese bone, east learn west gradually ” Zhu: You have proposed “European style Chinese bone, east learn west ” artistic thought, and the western style of painting spirit into Chinese landscape painting, formed its own unique artistic style and personal appearance. You also boldly put forward the theory of “moving the thought of art world in the world.” What is the basis for such a formulation? Wang: The theory of “moving the world art trend to the east” is a result of several years of work on Japanese and western art After investigation and understanding of the proposed. Since the 19th century, the eastward move has already begun to take shape. In 1867, Japan’s Ukiyo-e entered the law