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马雅可夫斯基是苏联的一位大诗人,自从1912年登上诗坛,他就成为令人瞩目的一颗巨星。尽管当时文艺界对他毁誉交并,评说不一,但在他死后都公认他为无产阶级的伟大诗人。为了更好地继承他的宝贵文学遗产,人们对他的创作进行了长期的研究。我国也不例外。早在20年代初期,茅盾、瞿秋白等同志就写了介绍和研究马雅可夫斯基的文章在《小说月报》和《东方杂志》上发表。50年代和80年代初在我国也曾出现过译介和评论马雅可夫斯基的热潮。这期间,对于马雅可夫斯基与未来主义、马雅可夫斯基的美学观点和艺术风格、马雅可夫斯基与中国等
Mayakovsky is a big Soviet poet, boarded poetry since 1912, he became a star of great interest. Although the literary and art circles criticized him for mercy and criticism at that time, he was recognized as the great poet of the proletariat after his death. In order to better inherit his valuable literary heritage, people have conducted long-term research on his creation. My country is no exception. As early as the early 1920s, Mao Dun and Qu Qiubai and other comrades wrote articles introducing and studying Mayakovski in “Novel Monthly” and “Oriental Magazine”. In the 1950s and early 1980s, there was also a wave of Mayakovsky translation and commentary in our country. During this period, for Mayakovsky and futurism, Mayakovsky’s aesthetic point of view and artistic style, Mayakovsky and China