第81届奥斯卡最佳外语片《入殓师》,无疑是一个十分生动而有趣的电影文本。它在试图展现或曰救赎某些传统观念的同时,却也有意无意地遮蔽了某些东西。本文将以意识形态批评、文化研究等理论为依托,从影片父与子的关系、被复述的神话等方面入手,片段式地解读本片。 The 81st Oscars best foreign language film “Into the division,” is undoubtedly a very vivid and interesting movie text. While attempting to show or redeem some of the traditional concepts, it has also intentionally or unconsciously sheltered something. This article will be based on ideological criticism, cultural studies and other theories as the basis, starting from the relationship between the film’s father and son, being rehearsed in myths and so on, a fragment-based interpretation of the film.