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人形(性爱)玩偶已经从单身人士相互揶揄的笑话变成了日常生活和艺术再现中常见的主题。为新自由主义经济所席卷的全球资本市场内,对疏于人际交往的男士而言,美丽沉默的人形玩偶似乎比有血有肉的真实女人更能慰藉疲惫的心——正如美国电影《充气娃娃之恋》和韩国电影《空气人偶》中两个男主角的奇异私生活所展现的。
Humanoid (sex) dolls have transformed from jingle among single people to common themes in everyday life and artistic reproduction. Beautiful, silent figure-shaped dolls appear more sublime to the exhausted minds of less-than-social men in global capital markets swept by the neoliberal economy, as the American movie “Inflatable Doll Love ”And the singular private life of the two leading characters in the Korean film“ Air Doll. ”