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王艮继承并发展了阳明的乐学思想,并将之作为其立言宗旨。一方面他上承阳明“乐是心之本体”以及“常快活便是功夫”的说法,倡导良知本体的自然、活泼、快乐,以及工夫过程之自然、简易之乐。另一方面,他把关注点置于百姓日用之上,通过对安身立本之工夫论的解说,将道德践履与安身相统一,从而使得“乐”之指向不仅包括精神方面的自得、洒落,也包括与此相关的生命存在。由于王艮的“乐学”是在“万物一体之仁”观念下的展开,故而其所言之“乐”最后呈现出一种“独乐”与“众乐”的结合状态,即个人得其“自乐”的过程正是众人得其“众乐”的过程。
Wang Gen inherited and developed Yangming’s musical thinking, and as its purpose of legislation. On the one hand, he advocated Yang Ming “music is the heart of the body ” and “often happy is Kung Fu ”, advocate the natural, lively, happy, and the process of natural conscience of the natural, simple music. On the other hand, he puts the focus on the daily life of the common people. Through the explanation of the time-based theory of settling down, he unifies his moral fulfillment and shelter, so that the direction of “music” includes not only spiritual aspects Satisfied, splashed, but also related to the existence of life. Since Wang Gen’s Musicology is developed under the concept of “benevolence of all things,” the “music” of Wang Gen finally displays a kind of “soliloquy” and “ Music ”the combination of state, that is, individuals get their “ self music ”process is everyone ’s “ public music ”process.